[403e9dd] | 1 | NAME |
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| 2 | aubioonset - a command line tool to extract musical onset times |
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| 3 | |
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| 4 | SYNOPSIS |
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| 5 | |
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| 6 | aubioonset source |
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| 7 | aubioonset [[-i] source] [-o sink] |
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| 8 | [-r rate] [-B win] [-H hop] |
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| 9 | [-O method] [-t thres] |
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[7a83a47] | 10 | [-T time-format] |
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[664fd25] | 11 | [-s sil] [-m] [-f] |
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[403e9dd] | 12 | [-j] [-v] [-h] |
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| 13 | |
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| 14 | DESCRIPTION |
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| 15 | |
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| 16 | aubioonset attempts to detect onset times, the beginning of discrete sound |
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| 17 | events, in audio signals. |
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| 18 | |
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| 19 | When started with an input source (-i/--input), the detected onset times are |
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| 20 | given on the console, in seconds. |
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| 21 | |
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| 22 | When started without an input source, or with the jack option (-j/--jack), |
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| 23 | aubioonset starts in jack mode. |
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| 24 | |
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| 25 | OPTIONS |
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| 26 | |
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| 27 | This program follows the usual GNU command line syntax, with long options |
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| 28 | starting with two dashes (--). A summary of options is included below. |
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| 29 | |
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| 30 | -i, --input source Run analysis on this audio file. Most uncompressed and |
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| 31 | compressed are supported, depending on how aubio was built. |
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| 32 | |
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| 33 | -o, --output sink Save results in this file. The file will be created on |
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| 34 | the model of the input file. Onset times are marked by a short wood-block |
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| 35 | like sound. |
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| 36 | |
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| 37 | -r, --samplerate rate Fetch the input source, resampled at the given |
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| 38 | sampling rate. The rate should be specified in Hertz as an integer. If 0, |
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| 39 | the sampling rate of the original source will be used. Defaults to 0. |
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| 40 | |
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| 41 | -B, --bufsize win The size of the buffer to analyze, that is the length |
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| 42 | of the window used for spectral and temporal computations. Defaults to 512. |
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| 43 | |
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| 44 | -H, --hopsize hop The number of samples between two consecutive analysis. |
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| 45 | Defaults to 256. |
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| 46 | |
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| 47 | -O, --onset method The onset detection method to use. See ONSET METHODS |
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| 48 | below. Defaults to 'default'. |
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| 49 | |
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[cd2cbc4] | 50 | -t, --onset-threshold thres Set the threshold value for the onset peak |
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[ca8ad9d] | 51 | picking. Values are typically in the range [0.001, 0.900]. Lower threshold |
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| 52 | values imply more onsets detected. Increasing this threshold should reduce |
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| 53 | the number of incorrect detections. Defaults to 0.3. |
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[403e9dd] | 54 | |
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[e0a9fd2] | 55 | -M, --minioi value Set the minimum inter-onset interval, in seconds, the |
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| 56 | shortest interval between two consecutive onsets. Defaults to 0.020 |
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[c1333cd] | 57 | |
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[15968ac] | 58 | -s, --silence sil Set the silence threshold, in dB, under which the onset |
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[403e9dd] | 59 | will not be detected. A value of -20.0 would eliminate most onsets but the |
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| 60 | loudest ones. A value of -90.0 would select all onsets. Defaults to -90.0. |
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| 61 | |
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[7a83a47] | 62 | -T, --timeformat format Set time format (samples, ms, seconds). Defaults to |
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| 63 | seconds. |
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| 64 | |
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[403e9dd] | 65 | -m, --mix-input Mix source signal to the output signal before writing to |
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| 66 | sink. |
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| 67 | |
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[664fd25] | 68 | -f, --force-overwrite Overwrite output file if it already exists. |
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| 69 | |
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[403e9dd] | 70 | -j, --jack Use Jack input/output. You will need a Jack connection |
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| 71 | controller to feed aubio some signal and listen to its output. |
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| 72 | |
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| 73 | -h, --help Print a short help message and exit. |
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| 74 | |
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| 75 | -v, --verbose Be verbose. |
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| 76 | |
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| 77 | ONSET METHODS |
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| 78 | |
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| 79 | Available methods are: |
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| 80 | |
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| 81 | default Default distance, currently hfc |
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| 82 | |
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| 83 | Default: 'default' (currently set to hfc) |
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| 84 | |
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| 85 | energy Energy based distance |
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| 86 | |
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| 87 | This function calculates the local energy of the input spectral frame. |
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| 88 | |
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| 89 | hfc High-Frequency content |
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| 90 | |
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| 91 | This method computes the High Frequency Content (HFC) of the input |
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| 92 | spectral frame. The resulting function is efficient at detecting |
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| 93 | percussive onsets. |
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| 94 | |
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| 95 | Paul Masri. Computer modeling of Sound for Transformation and Synthesis of |
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| 96 | Musical Signal. PhD dissertation, University of Bristol, UK, 1996. |
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| 97 | |
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| 98 | complex Complex domain onset detection function |
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| 99 | |
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| 100 | This function uses information both in frequency and in phase to determine |
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| 101 | changes in the spectral content that might correspond to musical onsets. |
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| 102 | It is best suited for complex signals such as polyphonic recordings. |
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| 103 | |
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| 104 | Christopher Duxbury, Mike E. Davies, and Mark B. Sandler. Complex domain |
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| 105 | onset detection for musical signals. In Proceedings of the Digital Audio |
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| 106 | Effects Conference, DAFx-03, pages 90-93, London, UK, 2003. |
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| 107 | |
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| 108 | phase Phase based onset detection function |
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| 109 | |
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| 110 | This function uses information both in frequency and in phase to determine |
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| 111 | changes in the spectral content that might correspond to musical onsets. It |
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| 112 | is best suited for complex signals such as polyphonic recordings. |
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| 113 | |
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| 114 | Juan-Pablo Bello, Mike P. Davies, and Mark B. Sandler. Phase-based note |
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| 115 | onset detection for music signals. In Proceedings of the IEEE International |
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| 116 | Conference on Acoustics Speech and Signal Processing, pages 441444, |
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| 117 | Hong-Kong, 2003. |
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| 118 | |
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| 119 | specdiff Spectral difference onset detection function |
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| 120 | |
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| 121 | Jonhatan Foote and Shingo Uchihashi. The beat spectrum: a new approach to |
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| 122 | rhythm analysis. In IEEE International Conference on Multimedia and Expo |
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| 123 | (ICME 2001), pages 881884, Tokyo, Japan, August 2001. |
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| 124 | |
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| 125 | kl Kulback-Liebler onset detection function |
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| 126 | |
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| 127 | Stephen Hainsworth and Malcom Macleod. Onset detection in music audio |
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| 128 | signals. In Proceedings of the International Computer Music Conference |
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| 129 | (ICMC), Singapore, 2003. |
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| 130 | |
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| 131 | mkl Modified Kulback-Liebler onset detection function |
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| 132 | |
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| 133 | Paul Brossier, ``Automatic annotation of musical audio for interactive |
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| 134 | systems'', Chapter 2, Temporal segmentation, PhD thesis, Centre for |
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| 135 | Digital music, Queen Mary University of London, London, UK, 2006. |
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| 136 | |
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| 137 | specflux Spectral flux |
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| 138 | |
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| 139 | Simon Dixon, Onset Detection Revisited, in ``Proceedings of the 9th |
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| 140 | International Conference on Digital Audio Effects'' (DAFx-06), Montreal, |
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| 141 | Canada, 2006. |
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| 142 | |
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| 143 | SEE ALSO |
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| 144 | |
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| 145 | aubiopitch(1), |
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| 146 | aubiotrack(1), |
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| 147 | aubionotes(1), |
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| 148 | aubioquiet(1), |
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| 149 | aubiomfcc(1), |
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| 150 | and |
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| 151 | aubiocut(1). |
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| 152 | |
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| 153 | AUTHOR |
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| 154 | |
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| 155 | This manual page was written by Paul Brossier <piem@aubio.org>. Permission is |
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| 156 | granted to copy, distribute and/or modify this document under the terms of |
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| 157 | the GNU General Public License as published by the Free Software Foundation, |
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| 158 | either version 3 of the License, or (at your option) any later version. |
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