[403e9dd] | 1 | NAME |
---|
| 2 | aubioonset - a command line tool to extract musical onset times |
---|
| 3 | |
---|
| 4 | SYNOPSIS |
---|
| 5 | |
---|
| 6 | aubioonset source |
---|
| 7 | aubioonset [[-i] source] [-o sink] |
---|
| 8 | [-r rate] [-B win] [-H hop] |
---|
| 9 | [-O method] [-t thres] |
---|
[7a83a47] | 10 | [-T time-format] |
---|
[664fd25] | 11 | [-s sil] [-m] [-f] |
---|
[29a5e27] | 12 | [-j] [-N miditap-note] [-V miditap-velo] |
---|
[71bc8b0] | 13 | [-v] [-h] |
---|
[403e9dd] | 14 | |
---|
| 15 | DESCRIPTION |
---|
| 16 | |
---|
| 17 | aubioonset attempts to detect onset times, the beginning of discrete sound |
---|
| 18 | events, in audio signals. |
---|
| 19 | |
---|
| 20 | When started with an input source (-i/--input), the detected onset times are |
---|
| 21 | given on the console, in seconds. |
---|
| 22 | |
---|
| 23 | When started without an input source, or with the jack option (-j/--jack), |
---|
| 24 | aubioonset starts in jack mode. |
---|
| 25 | |
---|
| 26 | OPTIONS |
---|
| 27 | |
---|
| 28 | This program follows the usual GNU command line syntax, with long options |
---|
| 29 | starting with two dashes (--). A summary of options is included below. |
---|
| 30 | |
---|
| 31 | -i, --input source Run analysis on this audio file. Most uncompressed and |
---|
| 32 | compressed are supported, depending on how aubio was built. |
---|
| 33 | |
---|
| 34 | -o, --output sink Save results in this file. The file will be created on |
---|
| 35 | the model of the input file. Onset times are marked by a short wood-block |
---|
| 36 | like sound. |
---|
| 37 | |
---|
| 38 | -r, --samplerate rate Fetch the input source, resampled at the given |
---|
| 39 | sampling rate. The rate should be specified in Hertz as an integer. If 0, |
---|
| 40 | the sampling rate of the original source will be used. Defaults to 0. |
---|
| 41 | |
---|
| 42 | -B, --bufsize win The size of the buffer to analyze, that is the length |
---|
| 43 | of the window used for spectral and temporal computations. Defaults to 512. |
---|
| 44 | |
---|
| 45 | -H, --hopsize hop The number of samples between two consecutive analysis. |
---|
| 46 | Defaults to 256. |
---|
| 47 | |
---|
| 48 | -O, --onset method The onset detection method to use. See ONSET METHODS |
---|
| 49 | below. Defaults to 'default'. |
---|
| 50 | |
---|
[cd2cbc4] | 51 | -t, --onset-threshold thres Set the threshold value for the onset peak |
---|
[ca8ad9d] | 52 | picking. Values are typically in the range [0.001, 0.900]. Lower threshold |
---|
| 53 | values imply more onsets detected. Increasing this threshold should reduce |
---|
| 54 | the number of incorrect detections. Defaults to 0.3. |
---|
[403e9dd] | 55 | |
---|
[e0a9fd2] | 56 | -M, --minioi value Set the minimum inter-onset interval, in seconds, the |
---|
| 57 | shortest interval between two consecutive onsets. Defaults to 0.020 |
---|
[c1333cd] | 58 | |
---|
[15968ac] | 59 | -s, --silence sil Set the silence threshold, in dB, under which the onset |
---|
[403e9dd] | 60 | will not be detected. A value of -20.0 would eliminate most onsets but the |
---|
| 61 | loudest ones. A value of -90.0 would select all onsets. Defaults to -90.0. |
---|
| 62 | |
---|
[7a83a47] | 63 | -T, --timeformat format Set time format (samples, ms, seconds). Defaults to |
---|
| 64 | seconds. |
---|
| 65 | |
---|
[403e9dd] | 66 | -m, --mix-input Mix source signal to the output signal before writing to |
---|
| 67 | sink. |
---|
| 68 | |
---|
[664fd25] | 69 | -f, --force-overwrite Overwrite output file if it already exists. |
---|
| 70 | |
---|
[403e9dd] | 71 | -j, --jack Use Jack input/output. You will need a Jack connection |
---|
| 72 | controller to feed aubio some signal and listen to its output. |
---|
| 73 | |
---|
[29a5e27] | 74 | -N, --miditap-note Override note value for MIDI tap. Defaults to 69. |
---|
[71bc8b0] | 75 | |
---|
| 76 | -V, --miditap-velop Override velocity value for MIDI tap. Defaults to 65. |
---|
| 77 | |
---|
[403e9dd] | 78 | -h, --help Print a short help message and exit. |
---|
| 79 | |
---|
| 80 | -v, --verbose Be verbose. |
---|
| 81 | |
---|
| 82 | ONSET METHODS |
---|
| 83 | |
---|
| 84 | Available methods are: |
---|
| 85 | |
---|
| 86 | default Default distance, currently hfc |
---|
| 87 | |
---|
| 88 | Default: 'default' (currently set to hfc) |
---|
| 89 | |
---|
| 90 | energy Energy based distance |
---|
| 91 | |
---|
| 92 | This function calculates the local energy of the input spectral frame. |
---|
| 93 | |
---|
| 94 | hfc High-Frequency content |
---|
| 95 | |
---|
| 96 | This method computes the High Frequency Content (HFC) of the input |
---|
| 97 | spectral frame. The resulting function is efficient at detecting |
---|
| 98 | percussive onsets. |
---|
| 99 | |
---|
| 100 | Paul Masri. Computer modeling of Sound for Transformation and Synthesis of |
---|
| 101 | Musical Signal. PhD dissertation, University of Bristol, UK, 1996. |
---|
| 102 | |
---|
| 103 | complex Complex domain onset detection function |
---|
| 104 | |
---|
| 105 | This function uses information both in frequency and in phase to determine |
---|
| 106 | changes in the spectral content that might correspond to musical onsets. |
---|
| 107 | It is best suited for complex signals such as polyphonic recordings. |
---|
| 108 | |
---|
| 109 | Christopher Duxbury, Mike E. Davies, and Mark B. Sandler. Complex domain |
---|
| 110 | onset detection for musical signals. In Proceedings of the Digital Audio |
---|
| 111 | Effects Conference, DAFx-03, pages 90-93, London, UK, 2003. |
---|
| 112 | |
---|
| 113 | phase Phase based onset detection function |
---|
| 114 | |
---|
| 115 | This function uses information both in frequency and in phase to determine |
---|
| 116 | changes in the spectral content that might correspond to musical onsets. It |
---|
| 117 | is best suited for complex signals such as polyphonic recordings. |
---|
| 118 | |
---|
| 119 | Juan-Pablo Bello, Mike P. Davies, and Mark B. Sandler. Phase-based note |
---|
| 120 | onset detection for music signals. In Proceedings of the IEEE International |
---|
| 121 | Conference on Acoustics Speech and Signal Processing, pages 441444, |
---|
| 122 | Hong-Kong, 2003. |
---|
| 123 | |
---|
| 124 | specdiff Spectral difference onset detection function |
---|
| 125 | |
---|
| 126 | Jonhatan Foote and Shingo Uchihashi. The beat spectrum: a new approach to |
---|
| 127 | rhythm analysis. In IEEE International Conference on Multimedia and Expo |
---|
| 128 | (ICME 2001), pages 881884, Tokyo, Japan, August 2001. |
---|
| 129 | |
---|
| 130 | kl Kulback-Liebler onset detection function |
---|
| 131 | |
---|
| 132 | Stephen Hainsworth and Malcom Macleod. Onset detection in music audio |
---|
| 133 | signals. In Proceedings of the International Computer Music Conference |
---|
| 134 | (ICMC), Singapore, 2003. |
---|
| 135 | |
---|
| 136 | mkl Modified Kulback-Liebler onset detection function |
---|
| 137 | |
---|
| 138 | Paul Brossier, ``Automatic annotation of musical audio for interactive |
---|
| 139 | systems'', Chapter 2, Temporal segmentation, PhD thesis, Centre for |
---|
| 140 | Digital music, Queen Mary University of London, London, UK, 2006. |
---|
| 141 | |
---|
| 142 | specflux Spectral flux |
---|
| 143 | |
---|
| 144 | Simon Dixon, Onset Detection Revisited, in ``Proceedings of the 9th |
---|
| 145 | International Conference on Digital Audio Effects'' (DAFx-06), Montreal, |
---|
| 146 | Canada, 2006. |
---|
| 147 | |
---|
| 148 | SEE ALSO |
---|
| 149 | |
---|
| 150 | aubiopitch(1), |
---|
| 151 | aubiotrack(1), |
---|
| 152 | aubionotes(1), |
---|
| 153 | aubioquiet(1), |
---|
| 154 | aubiomfcc(1), |
---|
| 155 | and |
---|
| 156 | aubiocut(1). |
---|
| 157 | |
---|
| 158 | AUTHOR |
---|
| 159 | |
---|
| 160 | This manual page was written by Paul Brossier <piem@aubio.org>. Permission is |
---|
| 161 | granted to copy, distribute and/or modify this document under the terms of |
---|
| 162 | the GNU General Public License as published by the Free Software Foundation, |
---|
| 163 | either version 3 of the License, or (at your option) any later version. |
---|