source: doc/aubioonset.txt @ 4afcad3

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Last change on this file since 4afcad3 was e0a9fd2, checked in by Paul Brossier <piem@piem.org>, 8 years ago

examples/aubioonset.c: use seconds for minioi

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1NAME
2  aubioonset - a command line tool to extract musical onset times
3
4SYNOPSIS
5
6  aubioonset source
7  aubioonset [[-i] source] [-o sink]
8             [-r rate] [-B win] [-H hop]
9             [-O method] [-t thres]
10             [-T time-format]
11             [-s sil] [-m] [-f]
12             [-j] [-v] [-h]
13
14DESCRIPTION
15
16  aubioonset attempts to detect onset times, the beginning of discrete sound
17  events, in audio signals.
18
19  When started with an input source (-i/--input), the detected onset times are
20  given on the console, in seconds.
21
22  When started without an input source, or with the jack option (-j/--jack),
23  aubioonset starts in jack mode.
24
25OPTIONS
26
27  This program follows the usual GNU command line syntax, with long options
28  starting with two dashes (--). A summary of options is included below.
29
30  -i, --input source  Run analysis on this audio file. Most uncompressed and
31  compressed are supported, depending on how aubio was built.
32
33  -o, --output sink  Save results in this file. The file will be created on
34  the model of the input file. Onset times are marked by a short wood-block
35  like sound.
36
37  -r, --samplerate rate  Fetch the input source, resampled at the given
38  sampling rate. The rate should be specified in Hertz as an integer. If 0,
39  the sampling rate of the original source will be used. Defaults to 0.
40
41  -B, --bufsize win  The size of the buffer to analyze, that is the length
42  of the window used for spectral and temporal computations. Defaults to 512.
43
44  -H, --hopsize hop  The number of samples between two consecutive analysis.
45  Defaults to 256.
46
47  -O, --onset method  The onset detection method to use. See ONSET METHODS
48  below. Defaults to 'default'.
49
50  -t, --onset-threshold thres  Set the threshold value for the onset peak
51  picking. Values are typically in the range [0.001, 0.900]. Lower threshold
52  values imply more onsets detected. Increasing this threshold should reduce
53  the number of incorrect detections. Defaults to 0.3.
54
55  -M, --minioi value  Set the minimum inter-onset interval, in seconds, the
56  shortest interval between two consecutive onsets. Defaults to 0.020
57
58  -s, --silence sil  Set the silence threshold, in dB, under which the onset
59  will not be detected. A value of -20.0 would eliminate most onsets but the
60  loudest ones. A value of -90.0 would select all onsets. Defaults to -90.0.
61
62  -T, --timeformat format  Set time format (samples, ms, seconds). Defaults to
63  seconds.
64
65  -m, --mix-input  Mix source signal to the output signal before writing to
66  sink.
67
68  -f, --force-overwrite  Overwrite output file if it already exists.
69
70  -j, --jack  Use Jack input/output. You will need a Jack connection
71  controller to feed aubio some signal and listen to its output.
72
73  -h, --help  Print a short help message and exit.
74
75  -v, --verbose  Be verbose.
76
77ONSET METHODS
78
79  Available methods are:
80
81  default  Default distance, currently hfc
82
83  Default: 'default' (currently set to hfc)
84
85  energy  Energy based distance
86
87  This function calculates the local energy of the input spectral frame.
88
89  hfc  High-Frequency content
90
91  This method computes the High Frequency Content (HFC) of the input
92  spectral frame. The resulting function is efficient at detecting
93  percussive onsets.
94
95  Paul Masri. Computer modeling of Sound for Transformation and Synthesis of
96  Musical Signal. PhD dissertation, University of Bristol, UK, 1996.
97
98  complex  Complex domain onset detection function
99
100  This function uses information both in frequency and in phase to determine
101  changes in the spectral content that might correspond to musical onsets.
102  It is best suited for complex signals such as polyphonic recordings.
103
104  Christopher Duxbury, Mike E. Davies, and Mark B. Sandler.  Complex domain
105  onset detection for musical signals. In Proceedings of the Digital Audio
106  Effects Conference, DAFx-03, pages 90-93, London, UK, 2003.
107
108  phase  Phase based onset detection function
109
110  This function uses information both in frequency and in phase to determine
111  changes in the spectral content that might correspond to musical onsets. It
112  is best suited for complex signals such as polyphonic recordings.
113
114  Juan-Pablo Bello, Mike P. Davies, and Mark B. Sandler.  Phase-based note
115  onset detection for music signals. In Proceedings of the IEEE International
116  Conference on Acoustics Speech and Signal Processing, pages 441­444,
117  Hong-Kong, 2003.
118
119  specdiff  Spectral difference onset detection function
120
121  Jonhatan Foote and Shingo Uchihashi. The beat spectrum: a new approach to
122  rhythm analysis. In IEEE International Conference on Multimedia and Expo
123  (ICME 2001), pages 881­884, Tokyo, Japan, August 2001.
124
125  kl  Kulback-Liebler onset detection function
126
127  Stephen Hainsworth and Malcom Macleod. Onset detection in music audio
128  signals. In Proceedings of the International Computer Music Conference
129  (ICMC), Singapore, 2003.
130
131  mkl  Modified Kulback-Liebler onset detection function
132
133  Paul Brossier, ``Automatic annotation of musical audio for interactive
134  systems'', Chapter 2, Temporal segmentation, PhD thesis, Centre for
135  Digital music, Queen Mary University of London, London, UK, 2006.
136
137  specflux  Spectral flux
138
139  Simon Dixon, Onset Detection Revisited, in ``Proceedings of the 9th
140  International Conference on Digital Audio Effects'' (DAFx-06), Montreal,
141  Canada, 2006.
142
143SEE ALSO
144
145  aubiopitch(1),
146  aubiotrack(1),
147  aubionotes(1),
148  aubioquiet(1),
149  aubiomfcc(1),
150  and
151  aubiocut(1).
152
153AUTHOR
154
155  This manual page was written by Paul Brossier <piem@aubio.org>. Permission is
156  granted to copy, distribute and/or modify this document under the terms of
157  the GNU General Public License as published by the Free Software Foundation,
158  either version 3 of the License, or (at your option) any later version.
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