1 | NAME |
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2 | aubiopitch - a command line tool to extract musical pitch |
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3 | |
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4 | SYNOPSIS |
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5 | |
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6 | aubiopitch source |
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7 | aubiopitch [[-i] source] [-o sink] |
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8 | [-r rate] [-B win] [-H hop] |
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9 | [-p method] [-u unit] [-l thres] |
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10 | [-s sil] [-f] |
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11 | [-v] [-h] [-j] |
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12 | |
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13 | DESCRIPTION |
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14 | |
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15 | aubiopitch attempts to detect the pitch, the perceived height of a musical |
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16 | note. |
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17 | |
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18 | When started with an input source (-i/--input), the detected pitch are |
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19 | printed on the console, prefixed by a timestamp in seconds. If no pitch |
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20 | candidate is found, the output is 0. |
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21 | |
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22 | When started without an input source, or with the jack option (-j/--jack), |
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23 | aubiopitch starts in jack mode. |
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24 | |
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25 | OPTIONS |
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26 | |
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27 | This program follows the usual GNU command line syntax, with long options |
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28 | starting with two dashes (--). A summary of options is included below. |
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29 | |
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30 | -i, --input source Run analysis on this audio file. Most uncompressed and |
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31 | compressed are supported, depending on how aubio was built. |
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32 | |
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33 | -o, --output sink Save results in this file. The file will be created on |
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34 | the model of the input file. The detected frequency is played at the |
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35 | detected loudness. |
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36 | |
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37 | -r, --samplerate rate Fetch the input source, resampled at the given |
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38 | sampling rate. The rate should be specified in Hertz as an integer. If 0, |
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39 | the sampling rate of the original source will be used. Defaults to 0. |
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40 | |
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41 | -B, --bufsize win The size of the buffer to analyze, that is the length |
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42 | of the window used for spectral and temporal computations. Defaults to 2048. |
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43 | |
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44 | -H, --hopsize hop The number of samples between two consecutive analysis. |
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45 | Defaults to 256. |
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46 | |
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47 | -p, --pitch method The pitch detection method to use. See PITCH METHODS |
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48 | below. Defaults to 'default'. |
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49 | |
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50 | -u, --pitch-unit unit The unit to be used to print frequencies. Possible |
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51 | values include midi, bin, cent, and Hz. Defaults to 'Hz'. |
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52 | |
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53 | -l, --pitch-tolerance thres Set the tolerance for the pitch detection |
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54 | algorithm. Typical values range between 0.2 and 0.9. Pitch candidates found |
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55 | with a confidence less than this threshold will not be selected. The higher |
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56 | the threshold, the more confidence in the candidates. Defaults to unset. |
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57 | |
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58 | -s, --silence sil Set the silence threshold, in dB, under which the onset |
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59 | will not be detected. A value of -20.0 would eliminate most onsets but the |
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60 | loudest ones. A value of -90.0 would select all onsets. Defaults to -90.0. |
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61 | |
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62 | -m, --mix-input Mix source signal to the output signal before writing to |
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63 | sink. |
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64 | |
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65 | -f, --force-overwrite Overwrite output file if it already exists. |
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66 | |
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67 | -j, --jack Use Jack input/output. You will need a Jack connection |
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68 | controller to feed aubio some signal and listen to its output. |
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69 | |
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70 | -h, --help Print a short help message and exit. |
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71 | |
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72 | -v, --verbose Be verbose. |
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73 | |
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74 | PITCH METHODS |
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75 | |
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76 | Available methods are: |
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77 | |
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78 | default use the default method |
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79 | |
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80 | Currently, the default method is set to yinfft. |
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81 | |
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82 | schmitt Schmitt trigger |
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83 | |
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84 | This pitch extraction method implements a Schmitt trigger to estimate the |
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85 | period of a signal. It is computationally very inexpensive, but also very |
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86 | sensitive to noise. |
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87 | |
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88 | fcomb a fast harmonic comb filter |
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89 | |
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90 | This pitch extraction method implements a fast harmonic comb filter to |
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91 | determine the fundamental frequency of a harmonic sound. |
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92 | |
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93 | mcomb multiple-comb filter |
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94 | |
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95 | This fundamental frequency estimation algorithm implements spectral |
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96 | flattening, multi-comb filtering and peak histogramming. |
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97 | |
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98 | specacf Spectral auto-correlation function |
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99 | |
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100 | yin YIN algorithm |
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101 | |
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102 | This algorithm was developped by A. de Cheveigne and H. Kawahara and |
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103 | was first published in: |
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104 | |
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105 | De Cheveigné, A., Kawahara, H. (2002) "YIN, a fundamental frequency |
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106 | estimator for speech and music", J. Acoust. Soc. Am. 111, 1917-1930. |
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107 | |
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108 | yinfft Yinfft algorithm |
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109 | |
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110 | This algorithm was derived from the YIN algorithm. In this implementation, a |
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111 | Fourier transform is used to compute a tapered square difference function, |
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112 | which allows spectral weighting. Because the difference function is tapered, |
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113 | the selection of the period is simplified. |
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114 | |
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115 | Paul Brossier, Automatic annotation of musical audio for interactive systems, |
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116 | Chapter 3, Pitch Analysis, PhD thesis, Centre for Digital music, Queen Mary |
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117 | University of London, London, UK, 2006. |
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118 | |
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119 | SEE ALSO |
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120 | |
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121 | aubioonset(1), |
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122 | aubiotrack(1), |
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123 | aubionotes(1), |
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124 | aubioquiet(1), |
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125 | aubiomfcc(1), |
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126 | and |
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127 | aubiocut(1). |
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128 | |
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129 | AUTHOR |
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130 | |
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131 | This manual page was written by Paul Brossier <piem@aubio.org>. Permission is |
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132 | granted to copy, distribute and/or modify this document under the terms of |
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133 | the GNU General Public License as published by the Free Software Foundation, |
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134 | either version 3 of the License, or (at your option) any later version. |
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